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Judith tossed her mane. "Don't call names," she responded, hiding the gratified smile that lurked in the corners of her mouth. "You'd think of things, too, if you didn't talk quite so much, Miss Pat. It's dreadfully hard to talk and think at the same time." "I didn't understand you were joking," he said quietly. The anatomical wonder appealed to them so little that they gave up the seats that the kind Slav had saved for them, and went out, rather sickened by such limberness, to wait the gong of the night life in the seclusion of the print room..

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"I've taken a studio apartment, and I've got someone to keep house—just for a month—and I'm banking on you all coming to spend that month with me. I want you to have this chance at some outside work," he said to Elinor. "I'm not so keen on this academic work for a steady job. I want you to keep up your life class, of course, but there's a big lot of education lying around in the studios for this short time anyway. I may not be able to offer it to you again, as I'll have to be off as soon as this contract is finished. Will you come?" Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully. "How so?" "Now for a sight of the dislocated gentleman," said Elinor gayly. "And then for the great event.".